Right when the hammer and nail mechanic may have started to feel old, It Takes Two swaps over to a new idea equal in its cleverness, complexity, and fun factor. I could paint bees with a sap gun, allowing my partner to explode them with a matchstick. Rather than forcing us to rely on those same tools, the next level makes you combat a swarm of wasps. It Takes Two doesn’t seem to overdo any one mechanic so far, so the design cleverly avoids a pitfall that far too many platformers fall prey to. Solving a puzzle on your own is satisfying, but having the epiphany with a friend is even better. That makes for some smart puzzles that had my player two and I talking out loud and having eureka moments together. Meanwhile, the hammer player can pound a button, sending their partner hurtling into the air. For example, one player can throw a nail into a wall, allowing the hammer-wielder to swing across a gap with the claw side. Each has a completely different function that requires close teamwork. In the first level, one player gets a hammer and the other gets a nail. Things feel even better once players get their first set of tools. The demo begins with some basic platforming, which feels as precise and responsive as it needs to. Players get to do a lot more than just climb through tight passages or hide in laundry bins.
Instead of sticking to grounded realism, It Takes Two benefits from a heavy dose of whimsy. It Takes Two utilizes a similar split-screen view where each player has unique tasks to perform. Where the game truly shines is in its two-player gameplay, which expands on several A Way Out mechanics.
The game’s opening moments will leave you more than a little misty-eyed, which itself feels like a nod to Pixar's propensity to sucker punch you with emotion at the very start of a story. The jokes are funny, the characters are memorable, and the emotional beats are effective. The game's early levels rise to that challenge with finesse. The players guide their characters through what feels like a slapstick marriage counseling session that’s as clever and inventive as Pixar’s Inside Outin its meta approach to the human psyche.įares said he wanted to make a romantic comedy because he felt like it was a genre video games never dare to touch. It’s a genius marriage of gameplay and story, giving a narrative reason for the game’s multiplayer-only gameplay. By a magical twist of fate, the parents are turned into tiny dolls that must work together to get back to normal.Ĭody and May attend couple's therapy in It Takes Two. The game focuses on a married couple on the brink of divorce. But the game is driven by emotion just like A Way Out, but it's saturated in enough bright colors that things don't ever feel overwhelming. Fix your relationshipĮarly trailers for It Takes Two made it look like a goofy cartoon that’s less heady compared to Fares’ previous games.
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If the full game lives up to the same quality in the first few levels, It Takes Two could very well be the best multiplayer co-op game since Portal 2. Inverse went hands-on with It Takes Two and found a legitimately hilarious, touching, and often brilliant multiplayer experience that’s ever-changing. It just might be Fares's best work yet.īut first: How did gaming get you through the pandemic? We want to hear from you! Take this quick Inverse survey. But It Takes Two is a laugh-out-loud romantic comedy that feels like a playable Pixar movie. Fares’ previous games included the tragic Brothers: A Tale of Two Sons and the straight-faced prison escape genre piece A Way Out. His latest game is a multiplayer platformer called It Takes Two, and it hopes to bottle that energy for wide consumption. His sense of humor and infectious joy about gaming has made him into an icon within an industry full of stuffy talking heads. The eclectic game creator, who founded Hazelight Studios, went from being obscurity to a household name with gamers thanks to his now-infamous “ Fuck the Oscars!” speech during the 2017 Game Awards.
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